After more than two decades in dancehall, Charly Black proves he still knows how to ignite a party. His third studio album, Good Times, is a vibrant fusion of reggae, dancehall, Latin, reggaeton, and Afrobeat—an energetic, global celebration of rhythm and movement. The 13-track project reflects Charly’s international reach, featuring collaborations with artists and producers from Jamaica, Colombia, the Netherlands, and Nigeria, including heavyweights like DJ Chuckie, Snowcone, Bizzey, Denyque, L.A.X, and Don Corleone.

From the opening track, “Talk A Di Town,” Charly sets the tone with a lively dancehall anthem dedicated to women whose energy commands the dance floor. Inspired by both German and Jamaican muses, the song celebrates confidence, allure, and stamina—all delivered with Charly’s signature charisma.

“Badda Dab Me,” featuring Chuckie and Jason Imanuel, brings a playful bounce, blending dancehall’s infectious rhythms with international production finesse. Meanwhile, “Good Times,” featuring Dutch rapper and DJ Bizzey, bridges electronic reggae and hip-hop influences, as Charly’s quickfire delivery contrasts Bizzey’s laid-back flow for a dynamic cross-cultural exchange.

The Latin-infused “Numero Uno” showcases Charly’s softer side, expressing admiration and devotion over a sweet, dance-ready groove. That romantic flair continues on “So Good,” a steamy duet with Dexta Daps. Produced by Charly’s own Team Unstoppable Records, the track is exactly what fans would expect from two of dancehall’s most seductive voices—melodic, provocative, and irresistibly smooth. Charly told The Jamaica Star, “This one is a hot and sexy track for the ladies, exactly what you would expect from a collab with Charly and Dexta, as we both have dancehall anthems for the females. It's lyrically evocative, melodic and passion-filled, driven by a pulsating beat that evokes intimacy and desire for the opposite sex.”

“Bad Attitude” shifts gears, warning against the pitfalls of living fast and chasing superficial thrills, while “Center of Attraction” reignites the party atmosphere with a pulsing riddim built for club floors. The chemistry between Charly and Denyque shines on “Like Glu,” a sensual Valentine’s Day release that pairs her sultry vocals with his gritty delivery for a seductive dancehall slow-burn.

“Toxicity” sees Charly comparing his addiction to love with a potent drug—classic territory for the artist, who balances hard-hitting production with raw emotion. “Dolly House” follows with a more intimate tone, as Charly invites listeners into a private, romantic world set to smooth dancehall instrumentation.

The international energy peaks on “Party In Colombia,” featuring Colombian reggae and dancehall artist Andres Couper, a festive fusion of Latin and Jamaican vibes. The groove continues on “Mamacita,” a lively, percussion-driven track where Charly flows effortlessly over a reggaeton-inspired rhythm.

Good Times closes with “Ballerina,” a vibrant ode to female dancers and the joy they bring to the dancehall. It’s a fitting finale—high-energy, celebratory, and true to Charly’s reputation as a master of the party anthem.

With Good Times, Charly Black delivers exactly what the title promises—a feel-good, global dancehall experience that bridges cultures and styles while staying true to his roots. The album’s seamless blend of traditional dancehall with Latin, Afrobeat, and electronic flavors demonstrates not just versatility, but evolution. For an artist who has kept dancehall pumping for more than twenty years, Good Times is proof that Charly Black’s sound is as fresh, fun, and infectious as ever.

One Love – Todd M. Judd