Thanks to Guitar Girl Magazine for the coverage of Hunnypot Live's 1st event in 2023...
What: Hunnypot Live and Gritty In Pink are starting off the new year right and honoring MLK Jr Day with a live showcase at The Mint LA. Featuring rising TikTok star MegaGoneFree, all girl punk band Shiragirl, hybrid rock band Glitter Trash, and soulful party starter BodaciousThang! Attendees can expect a night of live music, interviews, food, drinks, and an afterparty with Hot Tub Johnnie.
When: Monday, January 16, 2023 at 7 PM PST – Admission: FREE for all ages
Why: Hunnypot and Gritty In Pink are bringing together the local LA community to celebrate womxn on MLK Jr Day. A fun night with a bill of electrifying womxn artists, music, entertainment, and more. Hunnypot Live, known as the place where music lovers go to play!
Who: Gritty In Pink – a female-led platform, on a mission to achieve gender equality in the music industry. They empower women in music through an online community, partnerships, events, and their new marketplace INPINK, recently partnered with Live Nation Women.
Hunnypot Live – is a bi-weekly, Podcast/Concert/Industry Mixer with 480 shows recorded over the last two decades that celebrates music, discusses current cultural musical trends, and shares opinions on the state of the industry. Launched in November 2005, Hunnypot features live in-club performances by some of the most exciting and diverse artists in music today.
Where: The Mint LA 6010 W Pico Blvd, Los Angeles, CA 90035
Who should attend: The local LA community, music lovers, music industry professionals, and entertainment outlets.
It’s been almost 14 years since I first learned about the enigma that is Lush One. When I first found the battle rap scene via Grind Time Now, he had already carved his place in history as a pioneer in the scene. Known for his charismatic introductions, vivacious bar reactions, and drippy attire, Lush One continues to be one of the best hosts to ever hold a battle together. Thanks to Hunnypot, I’ve had the opportunity to cover some of the events he’s been directly involved with. Check out my photos/reviews of Ruin Your Day’s Ruin Your Show here, Rap Off’s Rap Off Live LA Event here, and GTX’s The Prelude here.
Over the years, Lush has booked some of the most exhilarating battles and has thrown events in conjunction with some of the most elite artists in the world, but it’s all come at a price. That price was his battle with addiction. Throughout his career, the man’s been through it all: the ups, the downs, the lefts, the rights, the truths, the lies, the friendships made, and the hearts broken.
Now 2 years and 9+ months sober, Lush One lives to tell the story. “Ski Lift” is a metaphorical and visual tale of a dysfunctional life playing in the snow. Over an eerie Chase Moore produced beat, Lush raps “Cocaine on the glass / I’m a sniffer / I’m looking at the man in the mirror”. He reflects on his bad decisions but yearns to be free at least. While having a disquieting undertone throughout the song, moments of hope shine through.
Lush One is a testament to that, which is what makes this video so powerful. His story of overcoming addiction serves as an inspiration to all of us. After facing his demons, he’s brought a battle league back to California (salute GTX Battles), is now a permanent fixture on the No Jumper podcast, and is blessing us with another project, Horacio’s Ski Resort. On the day he dropped this video, Lush One turned 41. He posted on his Instagram that there was a point in life where he didn’t think he would make it past 18, let alone 25. Well, here’s to 41, Lush! Keep up the great work. We’re stayin’ tuned for Horacio’s Ski Resort.
If Sophie Powers isn’t yet a major star, she soon will be.
On December 8th, Powers was the second in a three-act bill also featuring Extra Large Holiday Card and headliners Wicca Phase Springs Eternal at the venue 1720 in downtown Los Angeles. She took the stage leading off with “Clearview”, her collaboration with UK artist NOAHFINNCE.
The Canadian teen is completely confident on stage, morphing between copping a punk rock attitude and exhibiting true vulnerability while singing sitting cross-legged on the floor.
She had no problem interacting with the audience, leaning in to make eye contact. Sophie asked the crowd if the liked they outfit she designed and then she asked if they would buy it. Speaking of which, Powers came out wearing a Targaryen-colored wig with long braids and a green and white two piece.
She bounced.
She twirled.
She sat.
She seemed very much the teenage-performer she is, even though her strong lyrics belie her age.
And then something happened.
As part of her set list, Sophie Powers covers “Heart Shaped Box” by Nirvana. All of a sudden, the bouncing teenager disappeared. Hugging herself disappeared. Cute disappeared. Fierceness took over. Her voice raged.
Sophie Powers showed her range. She showed her cross-genre abilities. The kind of abilities that make someone a star.
THE SET LIST
It was a muggy Wednesday night in Dallas, Texas but that wasn’t going to stop people from making their way to the Southside Ballroom for a nearly sold-out show to witness the magic that is Modest Mouse. I remember hearing “Float On” on the radio in the car with my mom driving. To say I was able to be up close and personal with them was bound to be a super cool moment. The artist Mattress accompanied them on their 20 year anniversary of The Lonesome Crowded West Tour.
Mattress was set to take the stage and by my surprise it was just him (and his music pad). Already getting it started in an interesting but not so surprising way for a Modest Mouse show I’d say. I can honestly say it was 100% not what I was expecting as far as sound goes, but man was the crowd into it. I can’t figure out the best way to explain it but it’s a mix of 90s electro mixed with spoken word poetry. This man was full sending it all on stage. Never did I think I’d find myself in a room experiencing anything like it but it was definitely a memorable moment to say the least.
Soon after Mattress left the stage, the lights got dim and music dropped. At this point there was very little room in the ballroom to navigate anywhere. If anything was learned that night, it was that Modest Mouse still has a massive fan base, especially in Dallas. Members start making their way on stage and then Isaac Brock walks up to the mic. Knowing we are hearing the full album; most people sat back and enjoyed the show. It’s always cool getting to hear a full album from front to back live and Modest Mouse delivered.
The lights were honestly impeccable to say the least. I loved that the drum lights illuminated the whole kit because most of the time drummers stay hidden. Each member was highlighted on stage. Hearing Isaac’s vocals live was a trip. After all these years he still sounds as good as he does on the records. The 18-song set, and 4-song encore were truly an incredible experience. You could tell in the room that Modest Mouse still knew how to put on a good show and draw a crowd – something that is hard to maintain the test of time. I’m glad I got to capture a super cool moment in time for them and hope for many more years of success in their career!
In anticipation of the release of his new project, Geezyworld 2, OhGeesy has been hitting the internet with a slew of singles to maintain the high level of buzz around his name. It was just a few weeks ago where I got the opportunity to cover his appearance at The Vermont in Hollywood, CA. That day, OhGeesy dropped the visual for “Gallery”. That visual has now crossed the million-view mark on Youtube alone, not even counting the streams/across all other platforms. On 12/12/2022, OhGeesy hit the fans with another visual, this time for his brand new single “1st Day of School”
Over yet another Ron Ron (also formerly of Shoreline Mafia) produced beat, OhGeesy throws together another solid hook reminiscing about the good feeling of the first day back in school. With an R-rated twist, OhGeesy’s got girls twerking in the classroom, lean in his cup, homies rolling up weed on their notebooks, and a strap in his bookbag. The video cuts between the classroom and a yellow school bus where OhGeesy and company can be found partying like a bunch of high schoolers up to no good.
Shout out to Kuno for directing and Saadmoon for editing. They really captured a mischievous nostalgic vibe with this one. It’s great OhGeesy has these guys on his team to help compliment his edgy party music with equally rugged visuals. These guys continue to kill it on OhGeesy’s projects. Peep this video and stay tuned for Geezyworld 2.
- Kris Kuganathan
Our final Hunnypot Live Podcast/Concert/Party for 2022, truly a night of euphoria.
12/12/2022 Photos by J. Gray, Mastered by James Coffman
Benjamen Janey is part entrepreneur, digital designer, musician, and Founder of Spooler.co. Spooler is a tech-driven apparel company that utilizes technology to help people take control of what they wear. Janey's ever simple idea of customizing apparel for celebrities and tourists on Venice Beach has expanded to 13 countries world-wide, and spawned collabs with recognizable brands such as Tootsie Roll, Nike/Jordan, Sesame Street, and multi-platinum artist Lil Flip (and our own Hunnypot Live Merch).
In his book, The Making of An American Hip-Hop Tycoon, Janey and co-author Jennifer Oliver O’Connell put a spotlight on Janey’s entrepreneurial journey and how his background in the Hip-Hop industry continues to drive the inspiration and innovation for his corporate ventures.
The book also provides a blueprint and inspiration for upstart designers, founders, and entrepreneurs by bringing attention to specific success principles, summarized through valuable, “Life Lessons” in every chapter.
A combination inspirational memoir and how-to guide business guide, The Making of An American Hip-Hop Tycoon appeals to multiple audiences and is an essential tool across various industries.
WEBSITE INSTAGRAM FACEBOOK TWITTER
A Nashville-based musician, Josh Mack paints from a broad musical palette. The Middletown, Ohio native’s sound combines the rich storytelling of folk, the raw emotion and grit of blues, and a rock & roll edge. These influences are top-coated with a layer of psychedelic haze to create an atmospheric, multi-layered listening experience that has drawn comparisons to famed contemporaries like The Black Keys and Queens of the Stone Age.
Josh is a prolific songwriter and recording artist who has assembled a digital catalog of over 40 songs since 2018, and who has published songs for sync licensing. A seasoned live performer, Josh has developed a reputation for his spellbinding guitar work, helping him to blossom into one of Music City’s most intriguing young artists.
h2the is an LA based producer and artist who merges 80s synths and layered beats, brought to life through dynamic visuals and sound.
The h2the live band brings the songs to life with some of h2the’s favorite musicians, including Buwi (bass), Tal Vaknine (harp), Calireiki (reiki bowl), Sounten (op1 & vox) and generally a few guest vocalists.
“Brilliantly blending 80’s synths with an new cutting edge sampling style, rising hip hop/experimental producer h2the released his debut single titled “Taste Of The“, a teaser/cut-up off his new beat tape exclusively available on cassette!” – UGHH
URB Magazine wrote that “[h2the] is something else…in a profound kind of way,” calling his sound titillating and “juicy for the ears,” while The Village Voice described his productions as “adventurous and banging.”
2DOPEBOYZ and Vibe Magazine’s allhiphop.com have also noted h2the’s rap flips of 80?s inspired sonics. It’s the producer as auteur as every track takes you through the emotional space of the artist, like Kanye or Godard.
WEBSITE INSTAGRAM FACEBOOK SPOTIFY
French-Moroccan artist, IAO Carla awakens an unseen dimension, a musical realm that empowers our soul, with a deep passion in storytelling through groovy percussions and heart soothing melodies. Inspired by her Oriental and Hebraic roots, in her works Carla explores spirituality and the meaning of life. Self taught musician who turned to music to heal.
Her music is successful in elevating people’s moods and her vocals soothes the Soul.
Everything she touches, whispers, screams, taps... She awakens it, roughly and lovingly.
Born around classical music, traditional Moroccan chants and hymns.
As we enter December and the Christmas/Holiday time, we want to remember what makes this time of year so special. Spending quality time with family, friends, and loved ones. Going out and enjoying the holiday spirit and decorations while wearing season attire. Coming together to sing merry songs with one another. Giving gifts and donating to charity to help make others happy. When you think of these topics, of course a death metal music festival is what comes to mind. Xibalba wanted to through a huge death metal festival for a good cause hosted at the Belasco Theatre in Los Angeles, CA. Bringing family and friends together, with members of the audience dawning their battle vests, while coming together to sing brutal lyrics in harmony. What made this event so special is that this was a non-ticketed event. Xibalba just requested that you bring an unwrapped new toy to donate, and you would be allowed to enter the show for free. With a ticket price of knowing you are helping make a less fortunate families holiday time more special, who would not want to come out.
The first band that I was fortunate enough to see was Undeath, and these guys were ready to tear the Belasco apart. Opening their set with “Rise from the Grave,” lead singer Alexander Jones let out some vicious guttural vocals. Flanked by guitarist Kyle Beam & Jared Welch playing the crunchiest of riffs that let everyone head bang. With bassist Tommy Wall holding down the low end, it was drummer Matthew Browning’s flurry of double bass beats that got the crowd moving. Not only was the mosh pit the craziest I’ve seen from any concert in a long time. Fans were continually jumping on stage and stage diving throughout their entire set. If you wanted to be up close and personal with the band, you had to strap yourself in for war as you moved in the chaotic ocean that was the crowd. Dodging flying torpedoes of human bodies from all sides. Playing a set that consisted of songs like “Lord of the Grave,” “Necrobionics,” “Grave Osmosis,” “Brandish the Blade,” and closing with “Lesions of a Different Kind.” Undeath brought out the brutality in every crazed maniac in the crowd.
Up next was a band that has been making waves in the death metal scene for the last couple years, that being 200 Stab Wounds. As an ominous overture played over the speakers, the band prepared to unleash hell onto the Belasco. Lead singer and guitarist Steve Buhl roared the opening lyrics to their song “Phallic Filth.” Guitarist Lance Buckley fingers were on fire as they flew over his fret board ripping through the songs. Bassist Ezra Cook helped brought the heaviness in tandem with drummer Owen Pooley. Once again, the crowd could not be contained to just the floor, as body after body would jump on stage and hurl themselves back into the crowd. Some were caught, some were not, but no matter what the stage divers jumped up with a fiery passion of excitement. 200 Stab Wounds played a fierce set consisting of songs like “Slave to the Scalpel,” “Drilling Your head,” “Skin Milk,” “Tow Rope Around the Throat,” “Masters of Morbidity,” “Release the Stench,” “Itty Bitty Pieces,” and closing out their set with “She Was Already Dead.”
Stepping onto the stage was one of the more tenured bands of the day, that being Skeletal Remains. This band brought a heavier and thrashy sound in my opinion. Looking like Cousin It with his hair completely obscuring his face, vocalist and guitarist Chris Monroy opening their set with a ravenous song called “Illusive Divinity.” Fellow guitarist Mike De La O weaved his guitar solos into each song with perfection. Bassist Brian Rush was flying across the neck and strings of his instrument with ease and comfort while non-stop head banging. Drummer Pierce Williams kept the beats blasting in the faces of the crowd as he pounded away on the double bass. Playing songs like “Beyond Cremation,” “Traumatic Existence,” “Tombs of Chaos,” “Devouring Mortality,” and ending with “Congregation of Flesh,” Skeletal Remains kept the crowd roaring back at them through the entire set.
This festival has been going on since 2 o’clock, and the fans have been going ballistic all day long. By the time the final band was setting up, you could feel the energy was starting to waiver a bit in the crowd. Xibalba was about to hit the stage, and they had a mission to wake the crowd back up. As the slow creeping opening to their song “La injusticia” started to creep into the ears of the crowd. You could feel an energy shift. As vocalist Nate Rebolledo walked on stage, the guitars came in with heavy riffs and attack to them. Nate commanded the stage, and his first line of lyrics woke the battle-weary crowd at the Belasco back up. As everyone caught their second wind, the mosh pit opened fiercer than it had been prior. Guitarist Jensen Huncle and Brian Ortiz traded off licks that ignited the headbangers and air guitarists. Bassist Martin Stewart and drummer Jason Brunes made sure there was a solid beatdown beat playing throughout the set that let the crowd killers throw their fist and kicks in the air.
Once again, the crowd was not satisfied to just be going crazy in the audience. Fan after fan would jump on stage, only to hurl their body back into the crowd. Because of the chaos of the mosh pit, fans would try and run up the side stage stairs, which had security on their toes the entire set. At one point a rogue fan went to pat Nate Rebolledo on the back before jumping into the crowd, and Nate lost his balance and fell into the crowd. Ever the showman, Nate kept singing and performing as the crowd caught him and kept him trapped in the audience for the rest of the song. This crowd had been moshing for hours, but that wouldn’t stop them from going crazy during Xibalba’s set for songs like “Bright Sun,” “Cold,” “Años en infierno,” “Cursed,” “Hasta la Muerte,” and “Stoneheart.” During their final song “No Serenity” the crowd stole the mic from Nate and passed it around from fan to fan until the song was over. One fan even let out some Lorna Shore style pig squeals when they got their hands on the mic.
Throughout the day we had the heaviest of music to listen to. People going crazy in the mosh pit, throwing fists and kicks. People flying over the crowd. Just looking at the chaos this way, you would think that this was just a normal metal festival. Xibalba took a moment to remind us why we were there. This was a non-ticketed event. No one paid money to get in. All anyone needed to do was bring an unwrapped toy to donate to charity and you were allowed into the show. Metal heads get a bad wrap for looking scary, menacing, and appearing like they hate the world. But this festival was a great reminder that metal heads are still just people. People who care about others. We come together to enjoy live music, sing the songs we love, take joy in being surrounded by people who share our same musical interests. Its just a little more chaotic than some other kinds of shows. I met so many people that were happy to be attending this show, to see the bands, but also to be able to attend by helping people who are less fortunate. I do hope that more concerts may take this motto to heart in the years to come.
Gearing up for a good night at the South Side Music Hall, I was thinking about the last time I got to capture the guys in State Champs. It was So What! Music Fest and they had people crowd surfing all over the place coming across the barricade so as expected, it was going to be a great night. They were accompanied by Hunny and Between You And Me with a local opener to get the show started. The venue began to fill, and I got in position to capture the night.
Local opener, morningbuzz, jumped out on stage and were more than ecstatic to be there. Saying they were asked the day before; they were a ball full of energy. I had never heard of them, but it was cool to see the tour bringing on a local to the show. It helps support the local scene and opening for a group like Champs is def an honor as they said. They were a whole vibe the entire time and excited for more people to check them out.
Next up were Australian natives, Between You And Me. A new one for me but nonetheless always excited to see and hear some new tunes. As expected, there was a ton of energy in their stage presence. I found myself getting super into the sound and vibing song to song. Lots of jumping and crowd participation was happening everyone was there for it. You could tell this wasn’t their first rodeo. After going back and listening to them after the show, they played all of the hits like “Deadbeat”, “Butterflies”, and “Dakota”. A band I’m sure I’ll be seeing again in Dallas.
I was looking forward to the bands that were being added to this tour because Hunny always comes up on Instagram when I type in Hunnypot so I’m excited to finally capture and share some photos of them! Hunny ran out on stage and didn’t skip a beat. Jason Yarger, the front man, is a great stage personality and of course a great vocalist. Every member of the band was in sync during the performance. Based on the crowd’s reaction, you could also say that they were very much enjoying the set as well. I was a big fan of the very catchy riffs and jumpy drums from them. There was no downside, it was all good fun out of them the entire time.
Lastly, the Kings of the New Age, State Champs are set to take the stage. Peeking over to the side, I could see them doing their pregame huddle before running on stage. I’m sure it is always a thrill headlining a show and playing to a room full of excited fans. Lights dim and the house music silences, a deep bass fills the room and ominous lights start to shine on the crowd. The intro to “Just Sound” begins and in rolls the members. I had some excitement going into that photo pit to capture once again one of my favorite pop-punk bands. As per usually Derek Steez came out with 110% and the crowd went WILD. A few songs I as super stoked to hear were “Outta My Head”, “Elevated”, “Everybody But You”, and “Secrets”. I have those on repeat most days. My favorite part about their set was when Derek slowed it down and playd some acoustic jams. I was pure bliss and the whole crowd was singing along. State Champs will stand the test of time I think and look forward to what they can achieve down the road! Be sure to catch a date on the rest of the tour, you won’t want to miss it!
It had been 4 years since I last got to see the band Turnover and when I saw they would be back, I got extremely excited. Not only are they such a unique and different kind of band, but they also just so happen to be one of mine and my wife’s favorite bands. Album to album, they change the game and surprise us all so having 2 new albums out since we last saw them was making for a great night already. Joined by the bands Video Age and Temple of Angels, it was looking to be one for the books at Tulips in Fort Worth, Texas that night.
Temple of Angels got the show started and I was already super down with the very ethereal vibe they were putting out on stage. Very much a sit down and relax type of music that I’d say the crowd was really into as the house began to pack in. The cool part about them was the switch between lead singer and drummer singing vocals on songs. Made it pretty niche all things considered. As Texas natives, I’m sure I will be seeing more of them.
Following them were New Orleans based group, Video Age. Already based on the name of the group, I knew we were going to get some very retro sounding tunes, and we were right. The upbeat tunes were a real vibe setter. Song to song, they never caught you off guard, rather they eased you into a cool headspace. I liked that each member’s instrument was carved out in each song. You could really tell they all played a pivotal piece of the instrumentation. Video Age is one of those bands you out on when you’re driving down the road with the windows rolled down. Can’t wait to see them again.
Lastly, Turnover was about to hit the stage. We were all excited to hear the new jams but in all honestly, we needed some Peripheral Vision tunes in our lives. We knew it was coming but we’ll get to that in a minute. The band walks out and Austin, their lead vocalist, was full head of hair and a huge beard different than the last time we saw him. Almost didn’t recognize him but I was digging the new look. He was on guitar and keys this time around and looked like it was going to be a sweet set up. We were off to the races.
The thing I really enjoy about Turnover is that they are quiet and to the point with their music. On stage there was minimal chatter but many thanks for supporting the opening bands and them over the years. They take being ethereal to a whole new level with these new songs and happy to finally hear “Tears of Change” live since the new album drop. They went through the newer song and then pivoted to songs from Peripheral Vision and the crowd went wild. “Dizzy on the Comedown”, “Cutting My Fingers Off”, and more bangers were played. The whole set was immaculate and I’m looking forward to the next time they are in town!
After a 4-year hiatus, Three Days Grace sizzled into History in Toronto for an epic show! Kicking off the night were The Standstills - Jonny Fox and Renée Couture with their newest addition bassist Brendan McMillan. Despite being together for over 10 years, they put on one of their most powerful performances yet to get concertgoers in the mood! Having shot them several years ago when they opened up for Sebastian Bach I was prepared for the amazing drum looks that Couture provides. I love when bands showcase the drummer so you can really experience their craft and Couture is amazing to watch. The three-piece band had some great hooks featuring songs off their new album Shockwave.
The Warning put on a show that I won't soon forget! Led by the powerful Daniela Villarreal Vélez, this three-sister trio from Mexico rocked an electrifying set full of hard rock and endless energy. Watching her shred guitar and own the stage with such ferocity was truly something special - there's no doubt in my mind they're destined for big things down the road. Get ready Lzzy Hale...these ladies are just getting started! With Daniela (Dany) on vocals, Paulina drumming and Alejandra masterfully playing bass guitar - this trio is one formidable force that even Metal giants Metallica couldn't resist; they invited them to be part of their Metallica Blacklist charity project in support of charities like All Within My Hands foundation and Save the Children. Midway through their set came a unique spin on classic heavy metal anthem "Enter Sandman"– feminine yet melodic it was easily recognizable as everyone's favorite METALLICA song! It doesn't stop there ladies bring killer catchy riffs backed by great stage performance - definitely energizing your next live experience
The crowd was electric as soon as the lights dimmed and a deafening chant for Three Days Grace echoed through the arena. Even before they made it to stage, their logo with two flaming hearts on each side of it filled up everyone's vision! Matt Walst had an intense stage presence - radiating energy while asking fans to get their fist in the air. Instantly, mosh pits started swirling around accompanied by surfers flowing in sea of raised hands. I was ducking in between shots as arms and legs were flying Matt couldn't contain his excitement either and addressed 10-year anniversary since he joined Three Days Grace; thanking Toronto specifically who accepted him with open arms at one his first gigs ever back then!. Needless to say that Jiggy Walst aka party alter ego came alive too much cheering from every part!!
The rock band Three Days Grace gave fans an unforgettable show when they performed their 17-song set, featuring two acoustic renditions of 'The Highroad' and 'World So Cold.' As the venue lit up with special cell lights for these songs, drummer Neil Sanderson stepped away from his kit to tickle keys at the front end of stage! Daniela from The Warning made a memorable appearance during their killer show - and I'm not just saying that! Every one of them was an absolute professional, making my job unbelievably simple. Not to mention the spectacular lighting display, which could easily have been featured on any stage in Vegas! My camera had its work cut out for it with all the awesome moments captured; narrowing down what I wanted to share was more difficult than usual. Enjoy these photos as much as we enjoyed putting this fantastic performance together! Nothing lights up a venue like the energy of an electrifying Three Days Grace show! On May 6, 2022 they gave fans even more to scream about with their newest studio album Explosions. With songs such as “So Called Life”, “I am the Weapon” and “Neurotic” already earning top spots on rock lists around the world, it was no wonder why Matt dedicated his speech before performing each track - giving insight into what inspired them. From expressing feeling lost in life (Neurotic) or missing loved ones far away (Lifetime), TDG had everyone singing along – phone's lit up across arena when Lifetime began playing creating an other-worldly atmosphere that will stay remembered forever by all who were there. Additionally proving yet again why they remain one of my absolute favorite live bands!
THE WARNING
SETLIST
1. Z
2. Queen of the Murder Scene
3. CHOKE (with Barry Stock)
4. MONEY
5. Dull Knives (Cut Better)
6. Enter Sandman (Metallica cover)
7. ERROR
8. DISCIPLE
9. EVOLVE
THREE DAYS GRACE
SETLIST
1. So Called Life
2. Animal I Have Become
3. Home
4. Pain
5. Break
6. The Mountain
7. I Am the Weapon
8. Painkiller
9. The High Road
10. World So Cold
11. Just Like You
12. Neurotic
13. The Good Life
14. Lifetime
15. I Hate Everything About You
Encore:
16. Never Too Late
17. Riot