Hip Hop is back! In recent years, we’ve seen some classic Hip Hop acts "come out of retirement" to release strong, dope, and entertaining albums. The 50th anniversary of Hip Hop will do that. In my opinion, Hip Hop has been struggling with talent, messages, and meaning. But after sixteen years, brothers Malice and Pusha T have returned as Clipse with a vengeance, proving that great music never fades. Fellow Virginia Beach native Pharrell Williams also returns to produce and sing on four tracks, cementing his role as the unofficial third member of the group. The lyrical chemistry between Malice and Pusha T remains intact, and Pharrell’s expert production elevates the album to new heights.

Older and more mature, with changed priorities since their debut album Lord Willin’, Clipse still conveys the fierce energy of their younger days. However, they’ve also incorporated elements of personal growth, spirituality, and reflection on hard-earned lessons. The result is an album that shares insights without losing any of their powerful edge and ferocity.

The ferocity begins with “The Birds Don’t Sing,” featuring John Legend  and  Voices of Fire. The production is simple, highlighted by sentimental piano melodies that allow Malice and Pusha T to shine with their lyrics and flow. John Legend adds a soulful touch with his captivating hook, while Voices of Fire harmonize beautifully, creating a pure expression of artistry.

“Chains & Whips” brings back that classic Clipse feel, featuring an impressive verse from Kendrick Lamar that perfectly complements the sharp, cutthroat delivery from Pusha T and Malice. Pharrell provides a gritty, infectious beat that works seamlessly with the vocals.

Tyler, The Creator joins the track “P.O.V.,” delivering a nostalgic vibe reminiscent of early Clipse with their rhymes and flow. Pharrell showcases his versatility as a producer with an impressive beat that ties the track together.

The song “So Be It” features ornamental qanun strings that create a distorted, almost slow-motion effect, making it feel like you’re running through wet cement. Malice and Pusha T deliver ruthless bars, with Pusha taking direct and indirect jabs at Travis Scott, referencing the situation with Drake and the Utopia album. Pusha raps:

“You cried in front of me, you died in front of me;
Calabasas took your b**h and your pride in front of me.”*

“Ace Trumpets” showcases Clipse’s precision and lyrical dominance at its best. The duo shares a deep, brotherly connection and a fundamental mastery of their craft, delivering their verses with confidence. The track features a simple beat and drum, allowing them to control the overall tone effectively.

In “All Things Considered,” The-Dream and Pharrell contribute to a slower, funky R&B groove. Lyrically compelling, this song emphasizes a chill vibe and showcases the smooth vocals of The-Dream and Pharrell.

“M.T.B.T.T.F.” (Mike Tyson Blow to the Face) is another standout track that will resonate strongly with Clipse fans. It features impressive lyrical flow from Malice and Pusha over a nostalgic ’90s groove. This track feels like it could have come from the early 2000s, yet it remains relevant and impactful today.

“E.B.I.T.D.A.” (Earnings Before Interest, Taxes, Depreciation, and Amortization) features Malice and Pusha flowing effortlessly over a nostalgic Neptunes-style beat. While it feels somewhat out of place compared to the more hard-hitting beats and tough lyrics on the album, it still manages to fit well.

Stove God Cooks joins the duo on “F.I.C.O.,” delivering impressive lyrics and a strong flow in this motivational track about overcoming adversity and achieving success. The track uses the concept of a FICO score, typically associated with financial standing, as a metaphor for the duo’s rise to prominence in the music industry.

“Inglorious Bastards” features Ab-Liva from the Re-Up Gang, thrilling early Clipse fans as the crew trades bars like it’s still 2006. The production includes a synthesized horn over a booming beat, with the trio delivering sharp lyrics.

Pharrell brings his local talent to “So Far Ahead,” conveying a message about being ahead of the curve in the music industry. He sings:

“They don’t know what it is when I’m on it,
But once they figure it out, I don’t want it.
So far ahead, you guys are behind.”

King Push also delivers powerful lines with a double entendre, stating:

“Understand the art of war, all my guys draw, so we’re all Picassos.
Me just being me, respect to PnB.
I probably won’t ever eat at Roscoe’s.
There are a million ways to live and a million ways to die.”

“Let God Sort ’Em Out/Chandeliers” delivers a striking mix of gritty, smooth, and introspective Hip Hop with a powerful thump and bump. The track showcases the artists’ versatility and commanding presence on the mic. Notably, rap icon Nas contributes a guest verse in this two-part song, making his appearance at the climax of the record a significant statement. This collaboration positions Clipse alongside legends, highlighting the album’s intention as a legacy piece.

The album concludes with “By the Grace of God,” which serves as a shining capstone to Clipse’s career or the curtain closing on an astoundingly good comeback album. This song signifies a promising path forward for Malice, Pusha T, and Hip Hop as a whole. Together with the entire album, it delves into themes of faith, redemption, and their personal journeys—touching on their past in the drug trade and the impact of family losses. They express their reliance on divine intervention and acknowledge the blessings they’ve received despite their struggles, suggesting a potential to transcend the drug rap genre that initially brought them fame.

Ferocity is evident in every song, lyric, and beat, but the message has evolved. The growth and maturity are clear as Malice and King Push take control of the lyrics and flow. This album feels like a triumphant homecoming after a hard-won battle. It’s a project where Clipse lays everything on the line—the glory and the guilt, the pride and the pain. They bring a level of sophistication to their integrity, enhancing the impact of this incredibly powerful album.

One Love – Todd M. Judd